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ÖRESUND SPACE COLLECTIVE

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Ø resund Space Collective has just released their new album entitled "Everyone Is Evil" and Dr.Space was kind enough to answer our questions...here´s what he had to say:                                                            Photo: Ø resund Space Collective   First of all, how are you all doing out there in space?  Dr Space: Busy working in my garden, recording bands in the studio, finishing releases and working on mixes for 2 new bandcamp subscriber songs from our last OSC studio session from Sept 2022. Also trying to promote my new solo album ( https://drspace1.bandcamp.com/album/suite-for-orchestra-of-marine-mammals ).    You have just released your latest album ”Everyone Is Evil”. What was the thought behind the title? Dr Space: We had just come out of the room from having this amazing jam and some of the guys who did not play on it or did and left the room (it was 64mins long), when we came into the control room, they were pretty blown away and Hasse (bass pla
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IEM-TAPING

Except for ordinary audience recordings made with external microphones and mostly digital recorders or DAT-recorders these days, there´s also some tapers that also focus on so-called "IEM-Taping". We got the chance to ask some questions from a "IEM-taper" located in USA. Here´s what the taper had to say about IEM-recordings. How would you describe “In Ear Monitors” (IEM) for  those who doesn´t know what it is?  Most amplified live music has an onstage monitor system for band members to hear themselves.  In traditional settings, there were wedge monitor speakers at the lip of the stage, each with a mix  specifically designed for an individual player. Guitar players often monitored their guitars by the sound  coming from their amplifier. However, this can result in a very loud and chaotic stage volume as each  band member struggles to hear himself or herself through the wall of sound. Also, consider band  members that walk around the stage; as they leave their li
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Mammatus

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American alternative progressive rockers of Mammatus has been on our radar for quite a while and finally we had the chance to do this interview with them. Sit back, relax, and read further on...   First of all, could you tell us why and how you started the band?   Mammatus originated from a collective passion for crafting expansive, immersive music, fueled by a shared vision among us.  Guitarist Nicky (myself) and drummer Aaron, bound by a blood connection as brothers, share a unique bond that traces back to our formative years of growing up and playing music together. This familial tie not only solidified our artistic connection but also infused Mammatus with a shared history and musical language that is deeply ingrained.   Adding to this familial dynamic, bass player Chris entered the picture as a brother from another mother. Chris became an integral part of Mammatus, joining forces with Aaron and I after high school. Our shared experiences forged a camaraderie that transcended mere
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